Otomo Yoshihide - Memory Defacement
- Author: Otomo Yoshihide
- Album: Memory Defacement
- Size: 1417 mb
- Genre: Electronic
- Format: flac, wma, mp3 archive
- Label:
Japan Overseas – JO97-33/35,
F.M.N. Sound Factory – FMAE002/3
Type: Vinyl, LP, Album, Limited Edition Vinyl, LP, Single Sided, Limited Edition, Clear
Country: Japan
Date of released: 1997
Category: Electronic
Style: Musique Concrète, Noise, Free Improvisation

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- 2417 downloads at 28 mb/s
MP3 version
- 2914 downloads at 32 mb/s
FLAC version
Tracklist Hide Credits
| A | Memory DefacementRecorded By – Otomo Yoshihide |
| B | Experimental DefacementRecorded By – Otomo Yoshihide |
| C | Live DefacementMixed By – Tetsuya KotaniRecorded By – Noriya Maekawa |
Companies, etc.
- Recorded At – Xebec
- Mixed At – Omega Sound
Credits
- Producer – Haco, Otomo Yoshihide
- Sampler – Sachiko M
- Turntables, Other [Liner Notes] – Otomo Yoshihide
Notes
Memory defacement & Experimental defacement recorded in Tokyo, Japan, April 1997.Live defacement recorded live June 14, 1997 at Xebec Hall (Kobe, Japan).
Mixed at Omega Sound (Osaka, Japan).
"Memory defacement is different from the performances and recordings I have done in the past. It is the project which shows the entire four stage-processes that took place in half a year. Releasing this double-vinyl is its last stage. The first stage was to compose and record the sound resource for the black vinyl. I cracked a record, and based on the cracks I decided precisely where all the sound should be recorded; I put the collage sound in 87 spots with exactly the same timing on the A & B sides are different; I used a variety of music from the 20th century for the A side, and avant-grade music, especially electric sound, for the B side. The second stage was to press 500 analog disks of the sound, and to play them continuously on 10 turntables for 3 weeks at Xebec Hall in Kobe. My initial plan was to use many more turntables and play the records for a longer period, so the songs of the 20th century and the various experiment recorded on the A & B sides would sink into the sea of scratch noise. Unfortunately, the plan did not reach that far and the records were not so damaged.
Hopefully, you will play this record continuously until the fragments of this 20th century legacy return to sea of noise. The third stage was to have the live performance at Xebec Hall using the original sound resources, and press it on the clear vinyl." - Otomo Yoshihide
Side four is left blank.
Liner notes in Japanese and English.
Limited edition of 500.
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