Billie Holiday - The Greatest Interpretations Of Billie Holiday - Complete Edition
  • Author: Billie Holiday
  • Album: The Greatest Interpretations Of Billie Holiday - Complete Edition
  • Size: 1603 mb
  • Genre: Jazz, Non Music
  • Format: flac, wma, mp3 archive
  • Label: London Records ‎– GSW 3003
    Type: 2 x Vinyl, LP, Compilation, Mono
    Country: Japan
    Date of released: 1974
    Category: Jazz, Blues
    Style: Vocal, Swing
Billie Holiday - The Greatest Interpretations Of Billie Holiday - Complete Edition

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Billie Holiday - The Greatest Interpretations Of Billie Holiday - Complete Edition
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Billie Holiday - The Greatest Interpretations Of Billie Holiday - Complete Edition
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Tracklist Hide Credits

A1 Strange Fruit (Alternative Choice)
Written By – Lewis Allan
 3:16
A2 Strange Fruit
Written By – Lewis Allan
 3:12
A3 Yesterday
Written By – Jerome Kern, Otto Harbach
 3:25
A4 Fine And Mellow
Written By – Billie Holiday
 3:16
A5 I Gotta Right To Sing The Blues
Written By – Harold Kern, Ted Koehler
 2:52
A6 How Am I To Know (Alternative Choice)
Written-By – Dorothy Parker, Jack King
2:34
A7 How Am I To Know
Written By – Dorothy Parker, Jack King
2:45
B1 My Old Flame
Written-By – Arthur Johnston, Sam Coslow
 3:01
B2 My Old Flame (Alternative Choice)
Written By – Arthur Johnston, Sam Coslow
 3:05
B3 I Will Get By
Written-By – Fred E. Ahlert, Roy Turk
 2:57
B4 I Will Get By (Alternative Choice)
Written By – Fred E. Ahlert, Roy Turk
 2:54
B5 I Cover The Waterfront (Alternative Choice)
Written By – Edward Heyman, Johnny Green
 3:45
B6 I Cover The Waterfront
Written-By – Edward Heyman, Johnny Green
 3:27
B7 I'll Be Seeing You
Written By – Irving Kahal, Sammy Fain
 3:30
B8 I'll Be Seeing You (Alternative Choice)
Written-By – Irving Kahal, Sammy Fain
 3:24
C1 I'm Yours
Written-By – E.Y. Harburg, Johnny Green
 3:15
C2 I'm Yours (Alternative Choice)
Written By – Johnny GreenWritten-By – E.Y. Harburg
 3:20
C3 Embraceable You (Alternative Choice)
Written-By – George & Ira Gershwin
 3:07
C4 Embraceable You
Written-By – George & Ira Gershwin
 3:16
C5 As Time Goes By
Written-By – Herman Hupfeld
 3:04
C6 As Time Goes By (Alternative Choice)
Written-By – Herman Hupfeld
 3:14
C7 (I Got A Woman, Crazy For Me) She's Funny That Way (Alternative Choice)
Written By – Neil Moret, Richard Whiting
 3:04
C8 (I Got A Woman, Crazy For Me) She's Funny That Way
Written By – Neil Moret, Richard Whiting
 3:16
C9 (I Got A Woman, Crazy For Me) She's Funny That Way (Alternative Choice)
Written By – Neil Moret, Richard Whiting
 3:31
D1 Lover Come Back To Me (Alternative Choice)
Written By – Oscar Hammerstein II, Sigmund Romberg
 3:14
D2 Lover Come Back To Me
Written By – Oscar Hammerstein II, Sigmund Romberg
 3:18
D3 (Billie's Blues) I Love My Man
Written By – Billie Holiday
 3:05
D4 (Billie's Blues) I Love My Man (Alternative Choice)
Written By – Billie Holiday
 3:30
D5 (Billie's Blues) I Love My Man (Alternative Choice)
Written By – Billie Holiday
 2:52
D6 On The Sunny Side Of The Street
Written By – Dorothy Fields, Jimmy McHugh
 3:03

Companies, etc.

  • Phonographic Copyright (p) – Commodore Record Co., Inc.
  • Manufactured By – King Record
  • Licensed From – London Records
  • Recorded At – Brunswick Recording Studios
  • Recorded At – WOR Studios

Credits

  • Accompanied By – Eddie Heywood And His Orchestra, Eddie Heywood Trio
  • Alto Saxophone – Lem Davis, Tab Smith
  • Bass – John Simmons, John Williams* (tracks: A1)
  • Drums – Eddie Dougherty, "Big Sid" Catlett* (tracks: A2 to B7)
  • Guitar – Jimmy McLin, Teddy Walters
  • Photography By – Skippy Adelman
  • Piano – Eddie Heywood, Sonny White
  • Producer [Original Session] – Milt Gabler
  • Supervised By – Akira Yamato
  • Tenor Saxophone – Kenneth Hollon, Stan Payne* (tracks: A1)
  • Trombone – Vic Dickenson
  • Trumpet – "Doc" Cheatham* (tracks: A2 to B2), Frank Newton, Freddie Webster
  • Vocals – Billie Holiday

Notes

A1 recorded at Brunswick Record Corp. World Bdcstg Studio, 711 Fifth Ave., N.Y.C., April 20, 1939
A2 to A5 recorded at WOR Recording Studios, 1440, Broadway, N.Y.C., March 25, 1944
A6 to B2 recorded at WOR Recording Studios, 1440, Broadway, N.Y.C., April 1, 1944
B3 to B7 recorded at WOR Recording Studios, 1440, Broadway, N.Y.C., April 8, 1944
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